Религиозная проблематика в русской опере рубежа XIX–XX веков

Abstract

Actuality of work consists of revision some of theoretic installations, what are determined in XX century to religion problematic in Russian art. In real time, when the bans were lifted on this theme, actuality are seems the researching with this point of view exactly Russian opera as most democratic and available for perception view of music art. Accordingly, analysis of operas with suggesting point of view is demanding reconsidering some position in musicology of XX–XXI centuries. With this connected the purpose of this article – the revealation of religious aspects in Russian opera of boundary of XIX–XX centuries. The methodology. For accievement of this purpose we use the methods of musicological and genre-style analysis of operas of composers boundary of XIX–XX centuries. Scientific novelty consist of that historical-cultured and theoretical analysis of Russian operas of this period in attitude of religious aspects is one of insufficient researching section of native musicologist and it need especial intent attention of researchers for position of XXI centuries musicology. Conclusions of article permit to say about mutual influence of secular professional and spiritual aspects. To some extent analysis of Russian opera with religious and spirit problematic point of view allow to project some historic aspects of boundary of XIX–XX centuries to the midterm period of XX–XXI centuries.