Abstract
Time, type, and temporal displacement are the meanings of forms of microsystems that differ from each other. Artistic time subjugates grammatical time: the present time form is not expressed as "present, now" to any author's speech, nor to any recipient. Here, authorial and reader time, on the one hand, are opposed to the character time, and on the other hand, such a discrepancy is not necessary when using the past tense form. Such multiplicity of temporal- visual form is resolved according to the nature of the relationship, which penetrates and mixes with the highest-level unity of the artistic text. The meaning of the present indefinite form derives from the paradigmatic and syntagmatic core meaning. As soon as these forms are added to the text, their meaning is superimposed on the meaning that has passed. These meanings are not mutually exclusive, they are interrelated. The intersection of various meanings into one form plays a big role in the semantic organization of the temporal structure of the work of art. Having such a complex semantics of the temporal-visual form is a feature of the artistic text.
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