Abstract
The purpose of the research is to determine the particularities of interpretation of Eugene Onegin’s image in Chinese Pushkin studies from the 1900s to the 2010s. The paper clarifies the dynamic development of interpretation of Onegin’s image, at the same time identifying the socio-historical reasons for various approaches. Scientific originality of the research lies in the fact that the paper introduces material on the interpretation of Eugene Onegin’s image in China, which is new for Russian literary studies. As a result, it has been proved that over the hundred-year history of its perception, Onegin’s image often acquired Chinese traits. The literary type of Onegin constantly provoked discussions among Chinese literary critics and Onegin’s assessment changed from negative to positive.
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