Abstract
The article examines variants of modern game approaches to Dostoevsky's work, which in different ways highlight his philosophical significance and timeless relevance. Among these interpretations, special attention is paid to the literary and philosophical experiments of Vladimir Sorokin and Boris Akunin. The heuristic charge of these philosophical-literary games in a definitely literature-centric culture, such as the Russian one, is emphasized.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have