Abstract
Федор Сологуб о театре и о трагедии
Highlights
The focus is on the little known critical sketches by Sologub that he regularly published in the weekly magazine Teatr i Iskusstvo weekly from 1912 to 1917 and that, formed his lengthy theoretical work “Reflections and dreams of the theater” issued in 1918 in the Russkaya Mysl magazine
Sologub dreams of the birth of the “joyful tragedy” whose collective protagonist would triumph over Fate
The article demonstrates that Sologub’s “dreams” of the theater came into conflict with his critical reflections concerning the development of theatrical forms in the 1910s
Summary
Проблема «Сологуб и театр» уже не раз становилась предметом пристального внимания исследователей. Федор Сологуб выстраивает новую утопическую модель театра, в рамках которой оказывается преодолена его ранняя солипсическая идея «театра одной воли». Существом «мечты» Сологуба о театре становится мысль о рождении «радостной трагедии» коллективного героя, подвиг которого заключается в победе над Роком.
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