Abstract

The aim of the study is to generalize, in accordance with the semantic groups, the repertoire of the lexical units that nominalize acoustic images in the novel. The scientific novelty lies in the fact that the object of analysis is a written German-language text created by a blind author. For the first time, the object of analysis is the verbalization of auditory images as a means of conceptualizing the reality of people with visual impairments. As a result, it has been proved that the compensatory function of hearing in visual deprivation is reflected in the variety of the lexical means that thematize acoustic images.

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