Abstract

The article examines three most popular concerts for trombone of the outstanding performer and founder of the Russian trombone school V. M. Blazhevich. Relying on the analysis of the concert opuses, the researcher identifies peculiarities of using the expressive and technical potential of the solo instrument. The paper focuses on the following issues: the factors that influenced popularity of the compositions under study, types of thematism, specificity of the harmonic approach, nuances of compositional arrangement and the performer’s means of expressiveness.

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