Abstract
Zaha Hadid began to make a name for herself with deconstructionist architecture in the post-structuralist era of the 1980s, and led the way in organic, non-linear architecture as digital architecture became common after the 2000s. The numerous buildings she left behind before her death left a significant mark on the development of modern architecture. The multi-semantic perspective is a model used as an analysis framework for deconstructivist architecture in space philosophy. It is a perspective that can recognize modern architecture inherent in the pluralistic diversity of modern society by discovering the metaphors and essential meanings of architectural forms and spaces. As such, studying the architectural characteristics of her architecture from a multi-semantic perspective is judged to be of great significance in understanding the direction of the future of modern architecture. Therefore, this study traces Zaha Hadid's overall architectural works, analyzes the characteristics of her works from a multi-semantic perspective, and draws conclusions. In conclusion, Zaha Hadid started from deconstructionism, showed a change to digital architecture, and changed the function-oriented architecture seen in structuralism into a space that can be interpreted multiple times. She created the expandability of multi-perspectives through the diagonal lines and acute angles of deconstructivism, and brought about the expandability of multi-perspective space through the non-linear organicity shown in digital architecture.
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