‘부분의 독자성’ 개념의 재조명과 그 확장적 활용 가능성

Abstract

This study re-examines “independence of the part,” a key concept in explaining the narrative structure, compositional principles, recognition of reality, and aesthetics of pansori. Additionally, it explores how this concept can be used extensively today. To this end, this study first discusses the meaning categories of “independence of the part” when it was first created in 1969, and the problems that have been pointed out regarding this concept since then, including a proposal of the concept of “maximizing of the scene,” and why the concept of “independence of the part” is still valid. Furthermore, this study considers what premises are required to use this concept more effectively in the future. In an era abundant with cultural content, when the creative succession of pansori is required, this study suggests through three main aspects how “independence of the part” can be effectively utilized: as a channel for raising critical question about the social reality; a channel for reflecting contemporary elements of interest; and as a channel for experimenting with new versions and repertoires. It confirms that “independence of the part” has the power to make the meaning of the pansori text open to various interpretations, ensuring pansori remains a living heritage rather than just a remnant of past cultural heritage. Furthermore, it is crucial for efficiently eliciting other content. In the 21st century, Korean Wave and the rise of K-contents have attracted attention worldwide. Nevertheless, serious consideration of “Korean storytelling” seems necessary for sustainable development and strong competitiveness. The final suggestion is that “independence of the part” can function as a key principle and qualification of such Korean storytelling. It is hoped that the discussion presented here will serve as an opportunity to actively pay attention to the potential of “independence of the part” in the creation, criticism, and research of pansori and other Korean story contents today.