Режисерсько-творча специфіка дитячого естрадного театру «Зірковий час»

Abstract

The purpose of the article is to scientifically and theoretically substantiate the artistic features of the children's variety theater, to identify the specifics of directorial practices in such groups, to characterize the content, forms and working methods of the example of the children's star theater “Star time” in Odessa. The research methodology involves the use of the following scientific approaches: integrated is to disclose the essence of all aspects of the artistic specificity of children's theater; cultural is for contrasting and comparing the philosophical, historical, psychological, pedagogical and art components in the activities of children's pop theater; empirical is for observing, interviewing children and parents, etc. Scientific novelty. For the first time, for the research purpose, the experience of creative and organizational activity theater “Star Time” of Odessa was collected, the basic directorial techniques in work with children were characterized and the directions of the collective further development were summarized. Conclusions. Theater as a means of personality formation is one of the first places among other types of children's creativity, it is for children a source of information about the world and the laws of life, and it makes you think about the meaning of human existence and the depths of the human soul. Therefore, the children's pop theater “Star Time” of Odessa proposed a theoretical model of the children's pop theater, consisting of two areas of the collective. The first involves the analysis and determination of the working features with participants in the performance, as well as compliance with certain principles in their activities. The second direction relates directly to the creative activities of children's pop theater, in particular methods, forms and means. The article describes modern directorial techniques and defines the professional activities features of the director working in the children's team, which are extremely cautious about children's theater creativity, taking into account the age, physiological, psychological properties of children, the need to create such an organization of theatrical creativity of children that will ensure full self-expression of young actors, while maintaining a resemblance to a natural children's game; analyzed the main directorial and creative technologies, as well as further prospects for the children's theater development.