Abstract
In this paper, a qualitative analysis of the features of Russian English presented in the field of modern Russian music is conducted. The model of musical discourse is employed to identify the main distinctive features and specificity of functioning, which are characteristic of the acrolectal, mesolectal and basilectal levels or subvariants. Russian English is shown to be an authentic part of the global discourse of popular music
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
