Abstract
The article examines one of the notable in the history of world literature experiences of transcultural creativity on the material of the novels by the American J. Salinger “The Catcher in the Rye” and the German G. Böll “Through the Eyes of the Clown”, linked not only by intertextual calls, but also by the name of R. Wright-Kovaleva, who translated both novels into Russian. Within the framework of such three-dimensional intercultural communication, a wide range of issues related to the phenomena of literary translation, palimpsest, prototext, comparative studies, game poetics are considered. The cultural codes identified by the method of continuous sampling include “the child as a narrator”, “infantilization of society”, “the disease of historical time”, “the lack of culture of Eros”, “art as a spiritual poison”.
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