Abstract
By the material of the Russian rock culture the article considers the specifics of the subtextual organization of the visual series of song poetry, which is a synthetic text consisting of a complex of interacting subsystems (author/authorized homogeneous texts belonging to any sphere of semiosis). Moreover, each subtextual, supertextual subsystem, actualized in the space of concert visualization (static design of the stage (scenery); dynamic design of the stage; musical and poetic performance (plot action); gesture-mimic complex, the appearance of performers, the spectators’ space) is endowed with conceptual properties and powerful meaning-forming potential.
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