دیرو خاخر ٹی سائرعزیز نا عروضی تجربہ غاک

Abstract

The analysis of Brahui poetry in terms of prosody is a new topic. Propositional analysis of Brahui Ghazal discusses the technique of versal weight (perameter). Proposition is the knowledge related to poetry which explains the difference between weighted (Bawazn) and weightless (Bewazan) poetry. The main difference between poem and prose is weight, proposition is the scale in which the meter of poetry is measured. Weightless poetry is considered a defect. Sair Aziz is an influential and mature poet, in terms of prosody. there is no flaw of meter in his poetry. There are more than 40 prosodic verses. Some prosodical experiments seem to be the most unique and quite difficult. These are “Fahalatuma, Fahalatuma and “Fahalatun Fahal, Fahalatun Fahal. Same as there are four more unique prosodical experiments which are done for the first time in Brahui Ghazal. Beside this, the prosodic experiences of Sair's Mustazad Ghazals are also noticable as an artistic point of view. This paper also reveals the un-resolved difficult meters of Sahir, how he changes the form of the words according to his will. the actual pronunciation of the word is important, while Sair sometimes ignores this.