Abstract
In its history film drama composition has gone through several stages of renovation. One of them was in the 1950s–1960s. At that time in different countries there appeared the so-called «plotless» films. Special attention was given to the character of the connection between the parts of the film composition. Descriptive, lyrical and seemingly unimportant elements of drama composition were promoted /came first/ prevailed films with nonlinear composition. In his film «Rashomon» Akira Kurosawa demonstrated new for his time ways to work with details in film dramatic composition. The methods he used have developed for decades and are used in modern cinematography. The article studies an active role of details in the organization of film dramatic composition and analyzes their meaning.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
