Abstract
The study problematizes whether and to what extent digital technologies significantly change the principles of power-arts-society interaction from the analog “age”. In the context of Critical Theory, French poststructuralism and contemporary studies of power-culture-technology relations, receptions of the concept of Аura from Walter Benjamin‘s philosophical essay „The work of art in the age of its technical reproducibility“ are analyzed. In this way, key themes such as the construction of history, the autonomy of art and the construction of social space are brought out.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
