Abstract
The paper aims to reveal peculiarities of the Chinese orchestral performance development during and after the Cultural Revolution. The author examines classical musical compositions of the analysed period, identifies their distinctive features and considers the state influence on the Chinese musical ensembles. Scientific originality of the study lies in the fact that the researcher provides a comprehensive analysis of orchestral activity during the Cultural Revolution; this problem remains poorly investigated in the modern Chinese musicology. Contrary to the established opinion, the mentioned period is not considered as a dead-end branch of China development, which allows offering a new interpretation of orchestral creativity. The research findings are as follows: the author proves that the Cultural Revolution is not a stagnation period in orchestral performance development but an epoch of innovations.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
