Abstract
The article attempts to show how the post-non-classical transformation of the disciplinary areas of scientific knowledge has changed the institutional image of the artistic and cognitive sphere of modern culture. For this purpose, the work identifies the specific parameters of the disciplinary identification of epistemology of art within the framework of such symbolic post-non-classical cultural phenomena as Science art, as well as research in the field of social and cultural neuroscience. The paper substantiates the status of epistemology of art as an essential and full-fledged component of the professional community of epistemologists and philosophers of science, carrying out the fundamental revision of the social and communicative norms of the entire body of disciplinary communities, which is conditioned by the principle of the fundamental responsibility of philosophy in the situation of crucial transformations in modern culture.
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