Abstract
The paper aims to determine how the image of Crimea is represented in lyrical travel cycles of the second half of the XX century. Genre, topical and thematic, compositional features of the lyrical travel cycles about Crimea are analysed. The paper is novel in that it is the first to consider ways of this genre variety development in the Russian poetry of the late XX century. As a result of the study, it has been proved that there are two thematic groups that can be identified among the lyrical travel cycles about Crimea: the first one continues the development of the Taurian myth of Russian poetry, conveying Crimea’s unique beauty; the second one recreates the mythologeme of the space in which the spirit of Voloshin’s presence prevails.
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