Abstract
This study researched the necessity to seek for the cooperative approaches without losing the essence of dance in the artificial intelligence era, by posing a problem, ‘Is the value standard of corporeality and direction for choreographers changed in the artificial intelligence era?’. The objective of this study is to research the choreographers’ approaches to ‘body’ by considering the artificial intelligence and cases of arts convergence, and also to discuss the value of utilizing the body in the artificial intelligence era. As the research method, this study considered the parts utilizing the body in the case of William Forsythe’s choreography, the case of Wayne Mcgregor’s AI experiment, and ‘Emily Calson’s personal identification through dance movements’. This study drew the positive and negative arguments in relation to understanding the concept of artificial intelligence, and approaches to convergence with arts, which was referred to for analysis.
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