파스테르나크의 ‘산문 시학’과 통합적 예술관 : 초기 산문을 중심으로

Abstract

The purpose of this study is to examine the mechanism of integration into poetics of prose through devices for integrated arts such as autobiographism, infant recognition, theatricality in the early prose of Pasternak, and to reveal his unique realism theory and artistic view as a whole. In the early prose of Pasternak - Safe Conduct, Apelles’ Mark, Letters from Tula, The Childhood of Louvers - a multi-layered integration pattern derived from the relationship between reality and subject is found. This integrated aspect is revealed through the relationship between prose and poetry, music and philosophy, form and content, symbolism and realism, poet and others, history and memory, and relationship between life and art. The prose of early Pasternak was a kind of poetic declaration of anti–romanticism. The eclectic and contradictory aspects of integration in his prose are also the implications of the intense creation process of conflict, breakup, change and rebirth of transitional poet who tried to build their own art.