Abstract
The article deals with the role of imagery-aesthetic and mythical origins of binary-dyadic structure in modern lyrics. Taking the findings and conclusions of theoretical scientists, the author analyzes the ways which are used for depicting the clash of controversial feelings of the lyrical character and the split of his inner world. By means of text comparisons there is research made into the display of mythical knowledge in the system of poetic thinking of the dyad, the structure of binary opposition in poetry and conclusions are drawn.
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