『서보(書譜)』에 나타난 손과정(孫過庭)의 서예미학사상 고찰

Abstract

This paper examines the aesthetics of Servo(書譜) written by Tang's calligrapher and calligrapher theologist Son Gwajeong in his own book. He was the most outstanding calligrapher, especially the calligrapher, who earned the courtesy of Wang Huiji and Wang Hunji in the East China era. Servo is not only a superb calligraphic work but also a learned and noble sentence in contents, and it is called an immortal masterpiece in the aesthetic work of that time as well as calligraphy theory. In other words, it is not only a calligraphic artistic value but also a very valuable masterpiece in theory. Servo discusses the functions and characteristics of each typeface, including the origin of calligraphy, and attitudes and learning to learn calligraphy. In particular, it handles the basic techniques of writing and calligraphy and creative experiences. It refers to the beauty of Yanggang(陽剛) and the beauty of Eum yu(陰柔) in the bone(骨氣) of calligraphy, and refers to the reunification of Yui(意) and Sei(勢). And artistic aesthetics are expressed in Chunghwami(沖和美), and they are incorporated into the dimension of ‘do(道)’. Therefore, Son Gwajeong’s aesthetic philosophy is a harmony of strong and softness, which has a complementary philosophical balance between Yuga and Doga. Thus, Son Gwajeong’s idea can be seen in his calligraphy, which is consistent with the aesthetics of ‘strong and tender’.