Abstract
The article reveals the development of the theme of way and wandering in the poetry by Novalis and F. Hölderlin, traces the evolution of lyrical heroes gradually turning into wanderers suffering both from the infinity of their way and the impossibility of achieving the goal in ultimate earthly existence. The author analyses the interaction of Novalis’s and Hölderlin’s motives of way with the romantic models of way and journey in general. The study of the linguocultural model of movement formed in the artistic constructions of the German poets is complemented by the consideration of the image of otherness created by Novalis and Gelderlin as a goal of this movement. The paper emphasizes such little-studied features of other realities of the romantic poets as lifelessness, slowing down the movement, and striving for complete immobility.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
