Abstract
The article is devoted to the analysis of Russian films in order to identify optimism and pessimism about the prospects of the future in them. As a methodological basis, we applied our own methodology for the study of feature films. Its application made it possible to consider not only the content (plot) of films, but also their visual range, to focus on the color, light and auditory characteristics of the film. In conclusion, a conclusion was made about the dominance of pessimism in the images of the future in contemporary Russian cinema.
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