Abstract
The article presents information about K.S. Malevich's painting “The Black Suprematist Square”, which greatly influenced the development of a new style of avant–garde art - suprematism. It is proved that the square is the main geometric figure in the formation of images. The information is given that K.S. Malevich's new style is a synthesis of fine art, philosophy and religion, which allowed him to further influence the development of other types of art. Despite its apparent simplicity of the image, the black square continues to arouse the interest of many researchers of contemporary art today.
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