Abstract
The article presents two musical arrangements of "Haytarma" from A. Spendiaryan's suite "Crimean Sketches" (part 1), created by the Kazan musicians and composers Rasim Ilyasov – for Kazan Nury folk-instrument orchestra, and Rustem Abyazov – for La Primavera string chamber orchestra. A brief historical background of A. Spendiaryan’s creativity, connected with Crimean-Tatar music, is provided. The article also contains material on the distinctive features of the Crimean-Tatar folk dance "Haytarma" and its musical variations. This work will prove useful to a wide range of professional musicians and researchers of Crimean-Tatar folk music.
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