Abstract
The article analyses the peculiarities of orchestral style in G. Bizet’s “L’Arlésienne” suites. The score is considered in the context of distinctive features of the symphonic orchestra of the Romanticism epoch. The researcher identifies the typical features of instrumental style in the composition, emphasizes the composer’s innovative techniques, in particular, the inclusion of a previously unknown musical instrument - saxophone. The paper reveals the peculiarities of using saxophone tone in orchestral texture - as a participant of shared harmonious sound, when replicating other tones, as a solo instrument.
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