Abstract
The aim of the study is to provide insight into the genre originality of monopalindrome in Chuvash poetry. The paper examines works by the modern poetess Marina Karyagina, who is mastering all new possibilities in modern versification within the framework of the said genre. The study is novel in that it is the first to introduce palindromes in the Chuvash language into scientific use. The results of the study and analysis have shown that the modern Chuvash language is very rich and metaphorical; the unique structure of the Chuvash language makes it possible to create new forms of text in the conditions of saving verbal material, which Marina Karyagina masterfully demonstrated in her creative work.
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