Abstract
The article briefly describes the current condition of music libraries as a deposi-tory of specific documents and also the peculiarities of working with the book selectors and catalogers in this segment of library activity. The article assesses the experience of library communication from the part of the main consumers of music library services and explains the reasons of the emergence of the al-ternative network initiatives of musicians that can have a significant influence on the conception of organizing library servicing.
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