ДУЭЛЬ НАД ПРОПАСТЬЮ ВО РЖИ: МЕТАМОДЕРНИСТСКИЕ СТРАТЕГИИ СЕРИАЛА «ЧЕРНАЯ ВЕСНА»

Abstract

the present moment in art is marked by the transition to a new key concept of development, defined by researchers as "metamodernism". This concept suggests a dichotomy of many features of modernity and postmodernity. Art, developing in the key of metamodernism, enters the space of semiotic dialogue with what was before it, and produces a reconstruction procedure. At the same time, within the framework of the collision of the incomparable at first glance, a special tension and “depth similarity” arise. This happens, for example, in the modern series «Black Spring», where the author of the article traces connections of many difficult-to-connect themes, such as: duel ethics and modernity, neo-romanticism and brutality, irony, heroes copied from literary characters or from the heroes of other movies. The article attempts to semantic analysis of images of the series for a better understanding of nature of metamodernism.