Центральные образы и мотивы поздних стихотворений Геннадия Шпаликова (статья первая)

Abstract

The material of the late poems by G. Shpalikov, one of the prominent representatives of poetry during the Khrushchev Thaw era, is singled out and examined in terms of the sphere of key images and motifs in the poet’s artistic world, which are encoded by the ontological-tragic situation of the lyrical subject in the enclosed chronotope of society. The central motifs of Shpalikov’s work during this period have been identified: motifs of loneliness, rootlessness, abandonment, vulnerability, farewell, hopelessness, and suicide. The semantic structure of the artistic world of the late (and not only late) poems is marked by a ternary model of “nature — human — civilization/society.” The movement of the “plot” in most late poems is determined by the internal catastrophic change in the psychological state of the lyrical subject, seeking voluntary departure from life, which is reflected in the expressive, emotionally evaluative, and reduced lexicon, the tightness of poetic lines, and tense syntax.