Abstract
The article describes the artistic concepts NEW ZEALAND and AUSTRALIA including the synergistic sub-concepts LANDSCAPE, TIME, society in the architectonics of the novel “The Thorn Birds” by C. McCullough. The authors suggest a textual landscape cognitive attractor’s taxonomic model, the architectonics of which includes phytonyms as lexical timers. The originality of the research involves the development of the authors’ algorithm to study a textual landscape cognitive attractor including a phytonymic segment as the integrity of textual lexical timers.
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