Abstract

In order to identify the role of public art and landscape planning in the Regional Cultural Area as part of the cultural regeneration of the local community, this study analyzed the placeness and sense of place of these regions, focusing on the cases of Korea, China and Japan. The first analysis qualitatively analyzed the history and locality of each region. The framework of the second quantitative analysis is a correlation analysis of the cultural regeneration strategy, the function of public art, and the concept of landscape elements, and uses adjectives of landscape status with a specific generation in China, that is, millennials in their 20s and 30s as parameters. A questionnaire was conducted. As a result of the 1st and 2nd analysis, it was analyzed that each case exhibited a place-linked, place-dependent, place-dominant public art piece, and had a sense of place with mediating, experiential, and symbolic shared values. Traditional decorative public art form was the main form, but partly participation and intervention, and new genre public art form were shown. The sense of place perceived by the subjects was normally distributed with an average median value of 3 or higher on a Likert 5-point scale, and the difference was not large. However, among the landscape elements, there was a difference in systematicity, continuity, convenience, and originality, and a cross-section of the subjects' unconscious cognitive process could be confirmed.

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