Abstract

The article deals with the issues of socio-philosophical and culturological thought as a factor of interaction between Russia and Serbia in the modern European space. In the study the author presents the historical periods of socio-cultural development of relationships between the two countries, beginning from the first millennium. The work focused on identifying the common mental, cultural and historical commonalities of our peoples which allowed for the development of interaction between the two countries in the field of scientific cooperation, socio-philosophical, cultural and spiritual relations [1, c. 244-250]. The author defines the role of the language of communication and examines an important stratum of Serbian culture: Orthodoxy. In this context, the aspects of spiritual and cultural unity between Russia and Serbia, which have shaped the unity of views of the representatives of Serbian science and cultural, socio-philosophical and spiritual-cultural thought have emerged. The author defines the role of the ‘Russian House’ Centre for Culture and Science in Belgrade, Serbia, as a fulcrum of cultural, scientific and religious life of the Russian immigrant community and a firm manifestation of the Russian-Serbian spiritual, socio-philosophical and cultural ties between the two states. The paper focuses on such phenomena of intercultural contacts between Russia and Serbia as the scientific and cultural influence of the Russian intelligentsia after the 1917 revolution. Several waves of Russian emigration in the 19th and 20th century had the biggest impact on Serbian spiritual culture, architecture, civil engineering and art. One of the first associations of Russian post-November emigrants was the Archeological Society of Serbia (1921), represented by the Slavist historian A.L. Pogodin. Emigration to Serbia increased after the ruefully known ‘Philosophical steamer’ in 1922. This year, the St. Petersburg scholarly community widely marked the 100th anniversary of this exodus of Russian intellectuals, which marked the loss of the spiritual forces of Soviet Russia, but there was a considerable acquisition of culture, science, architecture, and theatrical art in Serbia, and thus in Europe.

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