ВІЗУАЛІЗАЦІЯ ХУДОЖНЬО-ПЛАСТИЧНОГО ОБРАЗУ В КОНТЕКСТІ КОЛЬОРУ ЕНЕРГЕТИКИ ЧАКР ЛЮДИНИ

Abstract

The article clarifies the problem of redistribution of energy in the human body, in its etheric body. Seven main energy channels (chakras) are described, which are located on the line of the human rod, their location, spectrum, color, sound, anatomical and physical image. The characteristics of each chakra are given, where the color of the chakra is indicated, which indicates certain fluctuations of energy in the human body with different frequency and amplitude and the correspondence of each of the chakras to a special lotus flower with different number of petals. There is a regularity of lack of energy in a chakra, and this is reflected in the physical body. Psychosomatics has also been linked to illness and emotional state. The personal manifestations of the choreographer's creative creativity, connected with artistic and figurative associations with the color of human energy chakras and the creation of a creative product using the appropriate yoga asanas in the choreographic vocabulary, were studied. The relationship between human energy, behavior and dependence on excess or lack of energy in a particular chakra is analyzed. Find out how human behavior is reflected in a choreographic image. The creation of a plastic-artistic image on the example of energy and color of human chakras is carried out. The peculiarities of creating the dynamics of the image, its character and behavior of the individual are established. The peculiarity of asanas and their connection with well-being and self-expression are analyzed and singled out. The question of researching previously unsolved parts of the general problem arises: personal manifestations of the choreographer's creative work, associated with artistic associations with the color of human energy chakras and creating a creative product using choreographic vocabulary using appropriate yoga asanas. Examples of choreographers using a special range of colors as sources-associations in the process of creating a script for choreographic performances are given; the prospects of research of creativity of the choreographer, his creativity and self-realization are defined.