Abstract
The article analyses the creative work of the Soviet and Chinese masters who created products of small porcelain plastics, dedicated to the children’s theme in their contrastive-comparative aspect. The study aims to identify the national differences and similarities in ideas, plots and themes embodied in the works of interior porcelain sculpture by the Soviet and Chinese masters. The scientific originality of the article lies in the fact that it reveals the peculiarities of developing the art of porcelain interior plastics in the USSR and China during the 1950-1960s. The obtained results showed that the USSR and the PRC developed their own unique artistic language in the depiction of porcelain objects in applied and decorative styles.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
