Abstract
The article is devoted to the Russian diaspora in the USA as one of the centers for the development of photography as an art and a type of private enterprise. The author examines the destinies and creative heritage of the leading masters of photography in Russian America, revealing their interaction with the world of innovative art of the Russian artistic emigration. The author's hypothesis is that the main factors of the outstanding achievements of the leading figures of Russian-American photographic art were the synthesis of artistic and aesthetic innovations of European and Russian art, perceived or directly created by Russian émigré photographers in the 1920s, and the capabilities of the American publishing industry, the ability of its leaders to take creative experimentation and commercial risk for future success. The article also examines the social environment and personalities of the development of photography as a service sector, which has become an integral part of the life of the Russian diaspora in the USA in the twentieth century.
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