Abstract

The article presents an attempt of interpretation of the last story by Turgenev from the point of view of theatre as a specific cultural and social phenomenon. This approach enables us 1) to distinguish between concepts of drama and tragedy as they are used in the text and metatext of the story; 2) to get out of the text’s boundaries and to involve biographical and historical contexts to the analysis.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call