Фортепіанна творчість композиторів Закарпаття як віддзеркалення багатонаціонального культурно-мистецького простору регіону

Abstract

Research objective. The aim of the work is to highlight the piano work of Transcarpathian composers through the prism of polyethnic cultural and artistic environment of the region. The methodology of the research is based on a set of research methods: the method of theoretical analysis of the scientific literature on regional music culture; comparative method, which allowed to make a comparative description of the stages of development of musical life in Transcarpathia in general and piano art in particular; analytical method helped to study conceptual approaches to the interpretation of the artistic phenomenon of piano creativity; generalization method, which made it possible to combine and group the studied materials on a single characteristic. The scientific novelty is that the piano works of Transcarpathian composers are considered in the context of polyethnicity of the region; the research work was carried out and materials related to the piano music of contemporary Transcarpathian composers, including R. Medentsy and V. Tsanko, were put into scientific circulation. Conclusions. Piano works of Transcarpathian composers are an original and dynamic phenomenon, which not only covers the well-known genre and stylistic layers, but also shows clear tendencies to self-renewal, stylistic and species enrichment. For all the variety, in the process of analysis of trends and piano compositions, there are clearly stable features that together reflect the stylistic patterns. They characterize both local, regional and Ukrainian music culture in general, in which the work of Transcarpathian composers occupies an important place. In the context of what has been said, they are united by stylistic ambiguity of the author’s statement; a variety of genres and forms, among which one of the leading places belongs to chamber and instrumental piano music; attraction to cyclic forms and detailed compositions (fantasy, variations, suite, concert, sonata), as well as to miniatures; a combination of bright song and melodic lines with sometimes symphonic, complex accompaniment; perfect mastery of both traditional and modern techniques of writing on a multinational folklore Ukrainian, Hungarian and Czech basis.