Abstract
The article raises questions about the worldview perception of food and nutrition within the geographical and cultural space of Sakhalin, the livelihoods of indigenous peoples, both as an artist, a customer, and as a researcher based on a study of the fine source “Kita Ezo Gacho” (“Sakhalin Album”, 1857, Japan) and others. Images appear as a part of a visual culture that provides, from the point of view of the Japanese mentality, vivid facts of the nutrition anthropology of the peoples of the Far East.
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