이성적 상징계와 몽환적 상상계의 혼융 - ‘팔루스적 언어’를 벗어나는 남성작가 정찬 -

Abstract

This study analyzes the narrative method, perception, and narrative meaning of Jeong Chan"s work. It looks at how he shows the perception of negation and resistance to existing frameworks, as do other male writers, but how he also creates a unique atmosphere. He uses a chaotic narrative reenactment and "warmth" and "hope", rather than a violent reality reenactment, and he has begun to disassemble "Phallus" as a male writer. The uniqueness of Jeong Chan"s work is in how it is composed of multiple intertwines in character, setting, narrative style, and narrative space (imagination, recognition area) that require more detailed analysis than simply "difficulty." The analysis identifies Jeong Chan as a writer who, unlike other male writers, is attempting to repress the privilege of "Phallus" and to escape the masculine limits of "Phallocentralism". This shows how the postmodern experimental perception of de-construction, post-modern, and deconstructionism eventually escape from the "Phallogocentralism". In other words, Jeong Chan"s characters exhibit "de-rational" behavior and mental (fantasy, dreaming) space, and at the same time perform a certain achievement in reproducing "Phallocentralism", as his male characters do not use the privileged power of fathers and men but lean on their children and mothers or return to the imaginary world. In addition, the author looks at the expansion of the realm of imagination, not just "disband" but also the expansion of the narrative realm by exploring "new subjects" after defection. Writer Jeong Chan focusses more on the post-dismissal story, on the premise that "the world is suffering." The narrative even suggests alternatives to the problems of how selves live after defection and the formation of a "new subject." On the premise of such a writer"s judgment and awareness of the world, the stories break down the rational-oriented language and system"s ideological boundaries and narrate a dreamy imaginary space. This extends the realm of perception to the imagination, such as dreams, fantasies, and souls. In the image of abandoning the rational symbolic system of "Father"s Name", that is, the "Phallus" real order, and returning to the imaginary world such as "child, mother", the male head (family) is no longer a power and savior, which implies that in this situation, the Phallogocentism of modern people is dismantled. In addition, the researcher reveals the circulation of the artist"s view of history and the perception of natural circulation in that the adult of the symbolic world returns to the imagination, such as in fantasy and dreaming, and seeks salvation and hope from the child. The study discerns the cyclical perception that dismantling and collapse are linked to another ‘generation’ and ‘mixing’, separate from the developmental history of modern times, which recognizes ‘failure’ and negativism.