Abstract

In the article «Genre dominants of Belorussian documentary: A. Adamovich’s and S. Alexievich’s experience» the author analyzes the concept of «documentary», «document» and «fact» in different scholars. The research deals with the process of formation of Belorussian national artistic-documentary proseon the basis of the works of Belorussian authors A. Adamovich «The Blockade book» (co-authored with D. Granin), «Out of the Fire» (co-authored with J. Bryl’ and V. Kolesnyk) and S. Alexievich «The Unwomanly Face of War…». The author reveals historical and ideological connections between these books, in which human voices are composed into a single complete whole, possessing a certain set of genre properties that manifest themselves both at the content and form levels.The focus is on distinguishing innovative features of the genre compared to «classic» documentary of the first half of the 19th century.The researcher views main peculiarities of the narrative, the author’s position while presenting eyewitness accounts, which may bе either objective or subjective. Composition, topic of the work and author’s foundation of the chosen structure are described. In the article there isthe investigation of the history of documentary genre, the reasons for its transformation and the specifics of modern «choir of voices» interpretation. The author of the article also refers to the ambiguous reception of S. Alexievich work by modern Ukrainian writers J. Andruhovich, J. Vynnychuk and O. Zabuzhko.

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