Abstract
Православная и католическая иконография: в свете диалога культур Востока и Запада.
Highlights
The object of research of this work is the cultural interaction of Catholicism and Orthodoxy, which is most fully reflected in iconography
The study uses the historical-comparative method, descriptive, method of periodization and deterministics. These methods allowed to identify the causes of cultural interaction, and to identify periods and their distinctive features, as well as to consider the formation of iconography of the image of the virgin ostrobram, Pochaevskaya, Czestochowa and Tenderness Seraphim-Diveevskaya based on the analysis of historical documents in the work the origins of the prayer "the virgin hail", known in the Catholic world as "Ave Maria", describes such a phenomenon as a Russian Catholic and an Orthodox pole
The Byzantines brought their iconographic traditions to Europe, on the other hand, the Europeans invited to Russia brought the Catholic style of writing
Summary
ORTHODOX AND CATHOLIC ICONOGRAPHY: IN THE LIGHT OF THE DIALOGUE BETWEEN EASTERN AND WESTERN CULTURES The article deals with Orthodox and Catholic iconography in the light of mutual cultural influence. For citation: Gorozhanina M.Yu. Orthodox and catholic iconography: in the light of the dialogue between Eastern and Western cultures.
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