Abstract
In the article, the object of analysis is the feelings that encourage the existence and prevent the existence of characters in works of art. In this case, F. N. Khuako chooses modern Adyghe prose as the subject material, including the stories of A. Hagurov, A. Makoev, A. Kuek and I. Chatao who are working today. The author is inclined to the hypothesis that the prose writer in the process of meaningful reproduction of reality builds up in the text some primary Convention that contains the sign codes of the two groups of sensations proposed in the title. This hypothesis is proved by analyzing a number of works of these authors, which allows us to conclude that the proposed structural models are currently available in their texts.
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