Abstract
The article examines the features of literary and documentary interpretation and reproduction of historical and political realia in memoir-autobiographical prose by M. V. Isakovsky, a classic of the Soviet-era song poetry. The aim is to study his “autobiographical notes” in “In the Land of Elnin”, the main forms and stages of professional and philosophical “maturation” of the poet. The work focuses on the features of the psychological portrait of a personality in the turning-point epoch. The conclusion is made about the topicality and productivity of M. Isakovsky’s autobiographical prose.
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