Abstract

The sightseeing in Mt.Cheongnyang and the creation of literature about it were one of the most important acts for writers in Yeongnam region. Through research on literature based on the sightseeing of Mt.Cheongnyang, the works of writers including JJu Sebung and Lee Hwang have been dealt with. Among them, in the creation of a series of Chinese poems based on Mt.Cheongnyang, it was introduced in outline that there existed a sightseeing of in Mt.Cheongnyang and literary creation by Songjae Lee Woo before Ju Sebung and Lee Hwang. However, this was also dealt with as the background of Lee Hwang's penchant for Mt.Cheongnyang and literary creation, but it did not receive much attention.
 In response, this paper focused on Lee Woo's Mt.Cheongnyang Poetry, 「Jo Hyoyeon and O Eonuis two sons-in-law and nephew Hae, send them to Mt.Cheongnyang to read.(送曺吳兩郞, 與瀣輩, 讀書淸涼山)」. Through this process, based on Ju Sebung's Classical Chinese poems on Mt.Cheongnyang, it suggested the possibility that Lee Hwang's Classical Chinese poems on Lee Woo and Mt.Cheongnyang may have been pleasant to Lee Woo's disappeared Classical Chinese poems on Mt.Cheongnyang. In addition, as mentioned in the existing research on Mt.Cheongnyang and Lee Woo, It was confirmed that Lee Woo's Classical Chinese poems on Mt.Cheongnyang were not actively inherited by Lee Hwang and Yeongnam's writers as Mt.Cheongnyang literature, but were somewhat passive in harmony and acceptance due to their Buddhist colors.
 It is hoped that this review will be the beginning of future research on the process of change in Mt.Cheongnyang and Yeongnam literature and the aspect of the literature of Lee Woo, while making it a task to reveal the full picture of Mt.Cheongnyang literature more specific.

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