Abstract
The study aims to identify compositional patterns of a trilogy, to outline its architectonic cycle-forming constants using the material of the trilogy “Napoleon Wagon Train” by Dina Rubina. Scientific novelty of the research lies in the following: the author has identified new principles in organisation of Rubina’s text, for the first time defined the techniques employed in montage of different artistic spaces, the use of cinematic strategies in organisation of time continuum, interlinking of different timelines according to the palimpsest principle. As a result, it has been proved that this method is peculiar to the writer’s latest prose and has been developed to the fullest extent in her trilogy “Napoleon Wagon Train”.
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