Abstract
The article examines A. Vampilov’s comedy “Farewell in June” and offers a new approach to studying Vampilov’s text - the analysis of the system of motives, identification of the inter-textual layer of the narration, new interpretation of the image-bearing and compositional structure of the play. The authors show that Vampilov’s early (the first multi-act) drama is obviously of “post Aksenov” nature - the main character, student Kolesov, implements all the features of a “star boy”. But Vampilov’s play represents important image-motive and structural-compositional features, which distinguished late “Vampilov’s theatre”. Paired characters, double-gangers, echo motives, echo situations, echo conflicts typical of “Farewell in June” are an indication of the dramatist’s early creative search, when bipolarity and dichotomy compensate for the complexity of an artistic image.
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