Abstract
In the course of the project, the author investigates the area of Russian court art culture in the first quarter of the 18th century associated with the formation of the new state ceremonial. For the first time, the authors cover practically all key ceremonies regulating the life of the monarch and his family: coronation, marriage and funeral ceremonies, triumphs and ceremonial meetings organized both in Russia and abroad. The article follows the development of the major principles of festive and mourning decorations and — to the extent possible — their further development throughout the 18th century. Particular attention is paid to symbols of power and insignia, as well as the jewellery art at the Russian court. Based on the materials collected, the author uncovers the circumstances of the design and use of a number of graphic works, regalia, orders, and precious settings for the court jewels, elucidated the typology and terminology of jewellery, and significantly expanded the existing understanding of the work of the craftsmen who executed the royal orders of the Romanovs.
 In the process of this research, the project team introduced the unpublished graphic and written materials, new facts and names, made a number of attributions and clarifications, including terminology.
 The findings are presented in the published collective paper, which contains besides the authors’ text the annexes comprising the publication of the 18th century documents and rich illustrations (more than 330 images): Tyukhmeneva E.A., Bykova J.I. A Path to Empire: Formation of the Art Culture at the Russian Court of Peter the Great. Ceremonies, Regalia, Jewels. Moscow: BooksMArt, 2022 — 448 p: illus.
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More From: Russian Foundation for Basic Research Journal. Humanities and social sciences
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